After A. R. Rahman called Chhaava a divisive film, Kangana Ranaut hit back, accusing the Oscar-winning composer of prejudice and claiming he refused to even hear the narration of her directorial Emergency.

Actor-politician Kangana Ranaut is once again in the spotlight, this time for her sharp remarks aimed at Oscar-winning composer A. R. Rahman. The fresh controversy erupted after Rahman described the Chhaava, starring Vicky Kaushal, as a “divisive” film during an interview, a comment that quickly triggered heated reactions online.

Responding to Rahman’s remarks, Kangana took to her Instagram Stories and shared a screenshot from his interaction with BBC Asian Network. In a strongly worded post, she alleged that while she has faced industry bias for openly supporting a saffron party, she has “never met anyone more prejudiced and hateful” than Rahman.

Kangana further claimed that she had wanted to narrate her directorial venture Emergency to the composer but was turned down. According to her, Rahman refused to even meet, allegedly believing the film to be “propaganda.” Kangana called this stance ironic, asserting that Emergency was praised by critics and even acknowledged by leaders from opposition parties for being balanced and sensitive in its treatment.

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Ending her note on a pointed tone, Kangana said Rahman’s opinion stemmed from hate and added that she felt sorry for him.

The remark that sparked the backlash came when Rahman spoke about Chhaava, describing it as divisive while also acknowledging that the film portrays bravery at its core. His comments divided opinions, with some supporting his view and others calling it unfair.

Emergency, directed and co-produced by Kangana Ranaut, sees her portray former Prime Minister Indira Gandhi and focuses on the 21-month Emergency period between 1975 and 1977. Despite high expectations, the political drama underperformed at the box office. The film also features Anupam Kher, Shreyas Talpade, and Milind Soman in key roles.

As reactions continue to pour in, the debate once again highlights how cinema, politics, and personal ideology often collide in Bollywood—sparking conversations that go far beyond the screen.